S. Janaki, the legendary singer who had sung in 18 languages, predominantly in South Indian languages, passed away in Mysuru on Saturday (July 11, 2026), aged 88.
Well-known for her versatility, S. Janaki won the National Film Award for Best Female Playback Singer for “Senthoora Poove” from 16 Vayathinile, the debut directorial venture of Bharathiraja, who passed away last month.
During a career spanning more than six decades, she worked with successive generations of composers, beginning with T. Chalapathi Rao, who introduced her to films, and later M.D. Parthasarathy, G. Ramanathan, M.B. Srinivasan, K.V. Mahadevan and M.S. Viswanathan.
Having sung thousands of songs in multiple languages for nearly half a century, S. Janaki rejected the Padma Bhushan when it was conferred upon her in 2013, describing the award as having come too late for her.
Janaki sang in Hindi and Sinhala too, but it was in the South Indian languages that she carved a niche. Her rendition was infused with love and pathos and was often a hat-tip to bygone times.
Photo:
The Hindu Archives
If music is an art that enriches the aesthetic zone, S. Janaki was the undisputed queen. Strangely, in the showbiz field, she preferred to be a commoner in her demeanour. Accessible and perhaps treating her talent and success lightly, there was a saintly aura in the way she presented herself in the public domain.
Photo:
HANDOUT_E_MAIL
Veteran playback singer S. Janaki with singer P.B. Srinivas. During a career spanning more than six decades, she worked with successive generations of composers, beginning with T. Chalapathi Rao, who introduced her to films, and later M.D. Parthasarathy, G. Ramanathan, M.B. Srinivasan, K.V. Mahadevan and M.S. Viswanathan. Photo: Special Arrangement
Photo:
Nagara Gopal
S. Janaki was a versatile singer who had an equal ease with classical compositions, romantic melodies, folk songs, comic numbers, and emotionally charged duets.
Photo:
K. Bhagya Prakash
Kannada film directors (from left) Bhagwan, K.S.L. Swami (Ravi), Rajan and Shivram and playback singers S. Janaki, P.B. Sreenivas, P. Susheela and Vani Jayaram being felicitated by Sri Vishvesha Theertha Swamiji of Pejawar Mutt at a function organised by Lotus Software Park and Sri Rama Seva Mandali, Chamrajpet in Bangalore on May 14, 2008.
S. Janaki, receiving an award from K. Karunakaran, Chief Minister, in Thiruvananthapuram in October 1984. She had received ten Kerala State Film Awards for Best Playback Singer during the 14-year period between 1970 and 1984. Photo: Special Arrangement
Photo:
G. Krishnaswamy
S. Janaki with singer Bala Saraswathy at a function held to felicitate them, in Hyderabad on September 8, 2011. Her career in Telugu cinema began in 1957 with filmMLA, when she sang ‘Nee Aasa Adiyaasa’ and ‘Idenandi Idenandi Bhagyanagaramu’ to Pendyala Nageshwar Rao’s music. The same year saw her record songs across languages, including Kannada and Tamil, showcasing her linguistic prowess.
S. Janaki during a stage performance with veteran singer K.J. Yesudas in Kerala. Known for her versatility, Janaki recorded over 48,000 songs in multiple languages, predominantly the South Indian languages of Kannada, Tamil, Telugu and Malayalam. Photo: Special Arrangement
Photo:
S. Siva Saravan
When the Government of India announced the Padma awards on the eve of Republic Day in 2013, S. Janaki was chosen for the Padma Bhushan. However, she refused to accept it. She stated that she should have been given the highest civilian award, the Bharat Ratna, if the government wanted to recognize her work. She expressed that she was not interested in any awards other than the Padma awards.
Music director A.R. Rahman with playback singers Swarnalatha, Srinivas and S. Janaki performing at the ‘Unity of Light’ concert at Taramani in Chennai on February 21, 2003. In the Tamil film industry, she carved out a place for herself at a time when P. Susheela and several other leading singers were at the peak of their careers, and worked with renowned music directors, including K.V. Mahadevan and M.S. Viswanathan.
Photo:
N. Sridharan
Janaki won the National Film Award for Best Female Playback Singer for “Senthoora Poove” from 16 Vayathinile, the debut directorial venture of Bharathiraja, who passed away recently. Her remarkable journey in Tamil cinema gathered further momentum with the rise of maestro Ilaiyaraaja, who chose her for memorable songs in his debut film Annakili (1976), a landmark in Tamil film music that completed 50 years in 2026.
Photo:
K. Bhagya Prakash
Noted playback singers (from right), P.B. Srinivas, S. Janaki and S.P. Balasubramaniam, who were presented with Chi. Udayashankar Memorial Award for 2002, 2003 and 2004, respectively, seen after receiving the awards at a function in Bangalore on March 19, 2005. Janaki lent her voice to iconic songs for every renowned music composer in Kannada cinema.
Photo:
The Hindu
S. Janaki and Dr. P. B. Sreenivas, performing a Bhajans and Ghazals benefit show, at Vani Mahal, in Chennai, on February 4, 2006, to assist the Ellen Sharma Memorial Primary School. If music is an art that enriches the aesthetic zone, Janaki was the undisputed queen.
Photo:
HANDOUT_E_MAIL
S. Janaki with singer B.K. Sumitra. To sing so many lyrics under multiple music directors, and to gain that overwhelming affection whenever the All India Radio announcer mentioned that the song to be played was sung by Janaki, are a reflection of her longevity.
Photo:
C.V. Subrahmanyam
Playback singers S. Janaki and K.J. Yesudas at a function organised on the birthday of Rajya Sabha member T. Subbarami Reddy at Port Kalavani Stadium in Visakhapatnam on September 17, 2011.
Photo:
R. Ragu
S. Janaki paying homage to P.B. Sreenivas, who died at his residence. Be it solo endeavours or singing in tandem, Janaki remained unique. To hold her own space while singing with S.P. Balasubrahmanyam (SPB) and K.J. Yesudas, and to garner the respect of her peers all through her career, revealed Janaki’s dominance in her acoustic space in celluloid.
Photo:
The Hindu Archives
S. Janaki, right, with late Tamil director Bharathiraja, left, and renowned music director Ilayaraja, centre. In these weeks of departures, be it Bharathiraja and K. Bhagyaraj, Janaki’s move into the mists of time, is the latest blow.
Photo:
K.G. Santhosh
The playback singer and composer, K.P. Udayabhanu, sharing a light moment with S. Janaki in Thiruvananthapuram. Her debut in Malayalam playback remains disputed. Often Minnalppadayaali, directed by G. Vishwanath and released in 1959, is cited as her first. But according to music historians, the song Irul Moodukayo En Vaazhvil from the crime-thriller Minnunnathellam Ponnalla, released two years earlier, marked the true beginning of her Malayalam journey.
Photo:
The Hindu
Janaki Venkataraman, wife of the then President R. Venkataraman, presenting a gift to S. Janaki at the silver jubilee celebrations of the Ganamrutha Group held in the Bharatiya Vidya Bhavan auditorium in Madras on July 2, 1989. Y.G. Parthasarathy and others are also seen in the picture.
Photo:
G. Ramakrishna
S. Janaki during a grand felicitation and tribute to the legend Padmavibhushan Panditji Hariprasad Chaurasia celebrating his 80th birthday in Hyderabad on July 22, 2018. Janaki sang in Hindi and Sinhala too, but it was in the South Indian languages that she carved a niche.
Photo:
The Hindu
S. Janaki singing in Mysuru at an open-air theatre organised by S. Janaki Charitable Trust. She spent part of her childhood in the then-backward textile village of Sircilla, in Telangana, in the old Karimnagar district over six decades ago. The discovery of this little-known chapter of her life has added a new emotional dimension to her bond with Telangana, making her enduring legacy even more special for the State’s people.
S. Janaki with Ghantasala, centre, and P. Susheela. Her rendition was infused with love and pathos and was often a hat-tip to bygone times.
Photo:
The Hindu
It was a coincidence that for a lifelong Lata Mangeshkar admirer, Janaki’s Malayalam debut was a song composed to the tune of Hemant Kumar’s popular “Mera Dil Ye Pukare Aaj”, sung by Lata herself. While Lata was hailed as the Nightingale of India, her ardent fan would later be crowned the Nightingale of South India.
Photo:
G. Krishnaswamy
S. Janaki (centre) receives the first P. Susheela National Award in Hyderabad on November 13, 2008. Also seen is Dr. Balamurali Krishna. Be it Thenum vayambum in Malayalam, Chinna thayaval in Tamil, Naguva nayana in Kannada or Puvvu navennu in Telugu, she captured the emotion, the context, and the relevance of the song within the screenplay and made them eternal.
Photo:
The Hindu
S. Janaki, with her co-singers, K.S. Chitra, left, Padmabhushan awardee and playback singer P. Susheela, centre. When Chithra, another legend in female playback singing, speaks about Janaki, the respect and affection are overwhelmingly evident.
Photo:
G. Krishnaswamy
S. Janaki turns emotional even as her counterparts P. Suseela and L.R. Eshwari look on at the felicitation function organised at Lalitha Kala Thoranam in Hyderabad, marking the completion of her 50 years in playback singing.
Photo:
M.A. Sriram
Singer Janaki’s granddaughter Apsara Vydyula performs the singer’s last rites in Mysuru on July 12, 2026. As the nightingale leaves at 88, there are memories to savour, and songs to cherish, even as some relief can be derived from the fact that the finest of art is eternal, and through her magical vocal chords, Janaki lives forever.
Published – July 12, 2026 04:42 pm IST
