K. Bhagyaraj and Radhika in a still from ‘Dhavani Kanavugal’.
| Photo Credit: The Hindu Archives
Earthy humour, man-woman dynamics, and rooted stories defined K. Bhagyaraj’s legacy. The ace director and actor, who passed away on Saturday (June 27, 2026), was Bharathiraja’s favourite assistant director. The guru passed away on June 10, and the disciple followed suit after a fortnight.
As a bespectacled hero, Bhagyaraj cut through the preconceived notions of how a celluloid figure should appear. He was the quintessential man next door, often landing in a pickle and then finding endearing ways to extricate himself, while also offering a social message through his films.
Having worked as an assistant to Bharathiraja’s 16 Vayadhinile in 1977, Bhagyaraj caught the eye of the lead stars Kamal Haasan and Rajinikanth. “Bhagyaraj was the one who made me utter the iconic dialogue ‘idhu yeppadi irukku (how is this)’ with a particular tonal variation,” Mr. Rajinikanth said recently. “At that time, we were not fully aware of the rich talent that was present in that film,” Mr. Haasan stated, referring to Bhagyaraj.
After learning the ropes from Bharathiraja, Bhagyaraj branched out as an independent director and often cast himself as the hero. He could laugh at himself, a rare attribute in an industry where self-obsession is presumed to be the norm. His ability to elevate a story into an engrossing screenplay has always been lauded.
Mani Ratnam rated Bhagyaraj’s Andha Yezhu Naatkal as one of the finest screenplays ever written. The tale about a musician from Palakkad, seeking fresh pastures in Madras, running into his lost love, and meeting her perceptive husband, was presented through a bitter-sweet narrative. The 1981 flick is a classic.
If many stars had their distinctive fan-bases, ranging from college-goers to senior citizens, Bhagyaraj drew in the women. Homemakers found time to catch his hits, usually the matinee show after finishing their household chores. Be it Mundhanai Mudichu or Chinna Veedu, Bhagyaraj kept the box-office humming. He launched actress Urvashi and in his films, women were never props, they had agency and spoke their minds.
He even directed Amitabh Bachchan’s Aakhree Raasta, a remake of Oru Kaidhiyin Diary, helmed by Bharathiraja and starring Mr. Haasan. With self-deprecatory humour, Bhagyaraj once mentioned how he had to resort to broken English while dealing with the Bollywood’s great star.
A multifaceted figure
The multifaceted skills that Bhagyaraj possessed, ranging from writing to acting, inspired many others to follow suit, notably R. Parthiban and Pandiarajan. In Kerala, Balachandra Menon was often referred to as Malayalam’s Bhagyaraj, as he too wrote, directed,. and acted.
Even at his peak, Bhagyaraj found time to direct Vijayakanth in Chokka Thangam. Later, he became a character actor, often lending believability to the roles he essayed. Hailing from Erode district, Bhagyaraj came up with cheeky one-liners, something that also defined his other buddies from the same Kongunadu region, including Sathyaraj and Goundamani.
A central figure in the 1980s batch reunions that Suhasini and Lissy often organised, Bhagyaraj defined a certain era in Tamil filmdom that was all about nuance. His departure is a massive loss to Tamil’s creative space.
Published – June 27, 2026 01:12 pm IST
